The final production and last chapter of my residency in Tampa, this classic of American musical theatre, adapted from George Bernard Shaw’s Pygmalion, follows the transformation of Eliza Doolittle. This was my first opportunity to tackle the iconic Henry Higgins—a man of intellect, wit, and foremost, ego, whose journey from detached scholar to emotionally awakened mentor lies at the heart of the show’s enduring impact. 

The penultimate production of my residency in Tampa, this heartfelt and empowering musical features an original score by Grammy winner Sara Bareilles. Waitress blends humor, hope, and honesty in a story about friendship, motherhood, and the healing power of self-discovery. Highlighted by the original choreography of Josh Buscher-West, this production tugged at the heartstrings with an all-star company.

A new classic, Jersey Boys has become one of the most produced productions nationwide. This production in Tampa, FL was no exception, becoming the hottest ticket in town. Featuring talents from across the country, this unforgettable production introduced me not only to a character I know I'll tackle again in Bob Gaudio, but an incredible ensemble of generous artists and lifelong friends. In the immortal lyrics of Gaudio "As I recall, it ended much too soon."

Ushering in the holiday spirit, this one-of-a-kind original musical recounts the extraordinary efforts one family will go to to be together for the holidays. Framed by the high-kicking talents of the 14 "Sunkick" dancers, this story features all of the holiday classics. I originated the role of affable ski bum Beau.

The first production of the 2024-25 season at Suncoast Broadway Dinner Theatre, this acclaimed production featured the choreography and direction of Broadway legend Charlotte D'Amboise. In this run, I joined a stellar ensemble of dancers to bring the spirit of Fosse's choreographic palette to life. This was my first production as a Resident Company member with Suncoast in Tampa, FL.

Returning to the John Goodman once again, this adaptation of the classic romcom features iconic songs of the 80s and 90s such as "Power of Love," "Never Gonna Give You Up," and "Manic Monday." A newer work, this production brought audiences back in time and on their feet to celebrate this iconic era of music, fashion, and cinema.

Joined by a swathe of profoundly talented young professionals and guided by the iconic songs of Carole King, Beautiful expanded my experience into the Ozarks with the Tent Theatre in Springfield, Missouri. This production, housed in the John Goodman Amphitheatre, moved the earth under the audience's feet and was an exploration into some of the most iconic artists of the 60s and 70s.

My first post-graduate contract, Into the Woods was a reimagined interpretation of the original work by TheatreLab Dayton. Set in an attic, the classic story emerges from a child's mind only to be revisited in the second act by the same child now fully grown. This was my third opportunity to approach Sondheim and Lapine's classic work and my first time appearing as the Baker.

Directorial debut! As my final work in my time in undergrad, I helmed my own production of 12 Angry Men. With a gender inclusive cast and a team comprised exclusively of student performers, designers, and creatives, this piece confronted the fallibility of the American justice system head-on. Produced in-the-round, our production aimed to confront audiences and immerse them into the case, challenging them to confront their own biases and prejudices with no where to hide.

Exploring the organic and honest language of Edward Albee, this piece was a passion project with two of my closest friends and collaborators, John Cuozzo and Arianna Schrage. I got to tackle Peter, a well-meaning but change-averse individual whose marriage has grown stale beneath his nose. It is only in an incidental meeting with a stranger in the park that Peter learns to stop letting the world pass him by.

In this all too timely production, I had the fortunate challenge of tackling Ernst Ludwig - the charming and ruthless German socialite with a hideous political underbelly. With a stellar ensemble, unparalleled design, and a creative team at the peak of their game, this piece of theatre is one that will live with me for some time.

Tom Stoppard's Arcadia is an exploration into fact and interpretation, science and poeticism, and order in entropy. I received a contender nomination from Dayton.com for Best Leading Actor in a Play as Septimus Hodge. The production was awarded best Collegiate production of a play for 2022-2023 by the Dayton Daily Mail.

This unique production was housed in Wright State University's black box theatre. Featuring an entirely student run creative team, this musical exploration of the Old Testament featuring the music and lyrics of Stephen Schwartz included my depiction of God in the role of Father.

This Appalachian fable turned musical cautionary-tale features the harmonious stylings of Edie Brickell and Steve Martin. This production at Wright State University included a musical ensemble, with the cast filling out a majority of the productions pit throughout the show. In this piece I portrayed Mayor Dobbs and played percussion.

This production of Disney's Newsies marked my final appearance in Columbus, portraying the spirited and resilient Crutchie. The production received a Jebby Award nomination for best musical production.

A turning point in my artistic journey, Interlochen Center for the Art's production of The Music Man showcased some of the best young theatre artists from across the country and around the world. For my portrayal of Harold Hill I received a Fine Arts Award for artistic excellence.

Jonathan Larson's Pulitzer Prize winning interpretation of La Bohemme graples with the struggles of a generation of creatives in the midst of the Aids crisis. I portrayed Roger for this production across from classmate Israeljah Reign

A musical can be a sequel! This festive production from Short North Stage included many of your favorite Christmas carols and classics from holiday films past. In this piece, I tackled myriad roles in this toe-tapping and holiday-cheering ensemble.

In my final production for Columbus Children's Theatre's Pre-Professional Academy, this poignant story features a collection of Columbus' best theatre artists now scattered across the country. I portrayed the flirtatious and lecherous Hanschen Rilow.