This iconic rock musical follows a group of young artists and friends living in New York City's East Village during the late 1980s and early 1990s. As they struggle with poverty, relationships, artistic ambitions, and the impact of the AIDS epidemic. Written by Jonathan Larson and inspired by the opera La Bohème, the musical explores themes of love, loss, friendship, and living life to the fullest, captured in its famous message: “No day but today.”

This inspiring true story recounts Tina Turner’s rise from humble beginnings in Tennessee to becoming one of the world’s most iconic rock and roll performers. This musical follows her journey through personal and professional struggles, including her abusive relationship with Ike Turner, and celebrates her resilience, determination, and triumphant comeback as a global superstar. Featuring many of her greatest hits, the show highlights Turner’s strength, talent, and lasting legacy in music. Playing 69 cities in 32 states and 3 countries, this tour was far and away my favorite artistic undertaking to date.

Revisiting a favorite role, I returned to the study to revive my role as Henry Higgins in My Fair Lady. With a fresh company and new concept, returning to this show presented a fresh set of challenges while retaining its classic charms. Directed by Kelsey Robbins, this crop of young talent challenged New Hampshire audiences while scratching the itch for all of the classics found in this musical.

Forever Plaid is a nostalgic musical about four young singers who return from the afterlife for one final performance. Featuring close-harmony hits from the 1950s, the show celebrates friendship, music, and the dreams they never had the chance to fulfill. Portraying Francais, the good-hearted leader of this eclectic group of four, this project wowed audiences in Highlands, NC, with tight harmonies, humorous hijinks, and unwavering heart.

The final production and last chapter of my residency in Tampa, this classic of American musical theatre, adapted from George Bernard Shaw’s Pygmalion, follows the transformation of Eliza Doolittle. This was my first opportunity to tackle the iconic Henry Higgins—a man of intellect, wit, and foremost, ego, whose journey from detached scholar to emotionally awakened mentor lies at the heart of the show’s enduring impact. 

The penultimate production of my residency in Tampa, this heartfelt and empowering musical features an original score by Grammy winner Sara Bareilles. Waitress blends humor, hope, and honesty in a story about friendship, motherhood, and the healing power of self-discovery. Highlighted by the original choreography of Josh Buscher-West, this production tugged at the heartstrings with an all-star company.

A new classic, Jersey Boys has become one of the most produced productions nationwide. This production in Tampa, FL was no exception, becoming the hottest ticket in town. Featuring talents from across the country, this unforgettable production introduced me not only to a character I know I'll tackle again in Bob Gaudio, but an incredible ensemble of generous artists and lifelong friends. In the immortal lyrics of Gaudio "As I recall, it ended much too soon."

Ushering in the holiday spirit, this one-of-a-kind original musical recounts the extraordinary efforts one family will go to to be together for the holidays. Framed by the high-kicking talents of the 14 "Sunkick" dancers, this story features all of the holiday classics. I originated the role of affable ski bum Beau.

The first production of the 2024-25 season at Suncoast Broadway Dinner Theatre, this acclaimed production featured the choreography and direction of Broadway legend Charlotte D'Amboise. In this run, I joined a stellar ensemble of dancers to bring the spirit of Fosse's choreographic palette to life. This was my first production as a Resident Company member with Suncoast in Tampa, FL.

Returning to the John Goodman once again, this adaptation of the classic romcom features iconic songs of the 80s and 90s such as "Power of Love," "Never Gonna Give You Up," and "Manic Monday." A newer work, this production brought audiences back in time and on their feet to celebrate this iconic era of music, fashion, and cinema.

Joined by a swathe of profoundly talented young professionals and guided by the iconic songs of Carole King, Beautiful expanded my experience into the Ozarks with the Tent Theatre in Springfield, Missouri. This production, housed in the John Goodman Amphitheatre, moved the earth under the audience's feet and as an exploration into some of the most iconic artists of the 60s and 70s.

My first post-graduate contract, Into the Woods was a reimagined interpretation of the original work by TheatreLab Dayton. Set in an attic, the classic story emerges from a child's mind only to be revisited in the second act by the same child now fully grown. This was my third opportunity to approach Sondheim and Lapine's classic work and my first time appearing as the Baker.

Directorial debut! As my final work in my time in undergrad, I helmed my own production of 12 Angry Men. With a gender inclusive cast and a team comprised exclusively of student performers, designers, and creatives, this piece confronted the fallibility of the American justice system head-on. Produced in-the-round, our production aimed to confront audiences and immerse them into the case, challenging them to confront their own biases and prejudices with no where to hide.

Exploring the organic and honest language of Edward Albee, this piece was a passion project with two of my closest friends and collaborators, John Cuozzo and Arianna Schrage. I tackled Peter, a well-meaning but change-averse man whose marriage has grown stale beneath his nose. It is only in an incidental meeting with a stranger in the park that Peter learns to stop letting the world pass him by. Their conversation reveals themes of isolation, communication, and the human need for connection, leading to a tragic conclusion.

Set in Berlin during the rise of the Nazi Party in the early 1930s, Cabaret follows aspiring American writer Cliff Bradshaw and nightclub performer Sally Bowles as they pursue love and ambition amid growing political unrest. Framed by performances at the Kit Kat Klub, the musical explores themes of escapism, love, and the dangers of ignoring social and political change.In this all too timely production, I had the fortunate challenge of tackling Ernst Ludwig - the charming and ruthless German socialite with a hideous political underbelly. With a stellar ensemble, unparalleled design, and a creative team at the peak of their game, this piece of theatre is one that will live with me for some time.

Tom Stoppard's Arcadia is an exploration into fact and interpretation, science and poeticism, and order in entropy. Alternating between the early 1800s and the present day at an English country estate, modern scholars investigate events from the past, and the lives of the estate’s former residents gradually intertwine with their discoveries. Blending romance, mystery, and intellectual inquiry, the play explores themes of knowledge, time, love, and the relationship between order and chaos. I received a contender nomination from Dayton.com for Best Leading Actor in a Play as Septimus Hodge. The production was awarded best Collegiate production of a play for 2022-2023 by the Dayton Daily Mail.

Retelling in parallel the biblical stories of Adam and Eve and Noah and the Flood, this piece explores themes of family, free will, forgiveness, and the challenges of letting go as parents and children seek independence while maintaining their bonds with one another and with God. This unique production was housed in Wright State University's black box theatre. Featuring an entirely student run creative team, this musical exploration of the Old Testament featuring the music and lyrics of Stephen Schwartz included my depiction of God in the role of Father.

This Appalachian fable turned musical cautionary-tale features the harmonious stylings of Edie Brickell and Steve Martin. This production at Wright State University included a musical ensemble, with the cast filling out a majority of the productions pit throughout the show. In this piece I portrayed Mayor Dobbs and played percussion.

Inspired by the real-life Newsboys' Strike of 1899. Set in New York City, this story follows a group of young newspaper sellers in a fight against powerful publishers who raise prices at the workers' expense. Through determination and unity, the newsies learn the power of standing up for their rights and making their voices heard. This production of Disney's Newsies marked my final appearance in Columbus, portraying the spirited and resilient Crutchie. The production received a Jebby Award nomination for best musical production.

A turning point in my artistic journey, Interlochen Center for the Art's production of The Music Man showcased some of the best young theatre artists from across the country and around the world. For my portrayal of Harold Hill I received a Fine Arts Award for artistic excellence.

Jonathan Larson's Pulitzer Prize winning interpretation of La Bohemme graples with the struggles of a generation of creatives in the midst of the Aids crisis. I portrayed Roger for this production across from classmate Israeljah Reign

A musical can be a sequel! This festive production from Short North Stage included many of your favorite Christmas carols and classics from holiday films past. In this piece, I tackled myriad roles in this toe-tapping and holiday-cheering ensemble.

In my final production for Columbus Children's Theatre's Pre-Professional Academy, this poignant story features a collection of Columbus' best theatre artists now scattered across the country. I portrayed the flirtatious and lecherous Hanschen Rilow.